Distance and Intimacy: An Introduction to the Characteristics of Japan’s Idol Image

Abstract

This paper investigates Japanese Idols, its definition, and the development of Idol culture. It points out the two defining characteristics of 'Japanese Idols.' First, 'immatureness' refers to the part of Japanese Idol culture that provides an imperfect 'immatureness' that allows those who participate in Japanese Idol culture have the possibility to 'create' their own 'Idols' in which they can project their idealistic self. This 'immatureness' originates from the importance of 'KODOMO (Children)' that Japanese society upholds. Second is the mentality of group 'solidarity,' which acts as the key concept for willing participants. This refers to the 'audiences/fans' that use Idol consumption to gain happiness through three kinds of relationships: 'Fan-Fan,' 'Fan-Idol,' and 'Idol-Idol.' Furthermore, the paper includes a case study on the no-live-audience concert at the end of 2020 by the male Japanese Idol group ARASHI. The study included an examination of how 'Fans' and 'Idols' obtain mutual 'emotional support' and 'intimacy' through 'mutual communication.' It further points out that 'Fans' do not just gain enjoyment from their consumptions on the 'cultural product' that is 'Idols.' In reality, it shoulders the double connotations of 'care' and a 'sharing of affection' for the 'Idols.' The paper has discovered that 'fans' would, without fail, initiate and adjust their 'distances' between themselves and their 'Idols' to achieve self-fulfillment and room for imagination.